Poetry creation should show the linguistic beauty of poetry.

# Poetry Appreciation # Introduction Wang Anshi once suggested that poetry should be written in "the poet's language". "Poet's language" is different from the language of an article. It is the language of art, with the beauty of image, music, simplicity, implication, conciseness and artistic conception. Let's study poetry creation with KaoNet to show the beauty of poetry language. Welcome to read!

Plain rice

Confucius said that "words are just words", that is, words should be plain and beautiful. Lu You's Reading Modern Poetry said: "The article is written naturally, and the strange danger is especially harmful to people's bones. Look at the smell of big soup and mysterious wine. Is the crab pincer clam column a family? " Stewed rice wine, the water of ancient sacrificial wine, and crab claw mussel columns, although they taste special, are not as pure and tasteless as stewed rice wine, because they can't fit into people's sacred shrines.

Park Sumei's classical poems should be compared with Li Bai's Thoughts on a Quiet Night: "I have a bright foot on my bed, but is there frost?" . Looking up, I found that it was moonlight, sinking again, and I suddenly thought of home. " The whole poem is as clear as words, neither pursuing the novelty of imagination nor abandoning the exquisite beauty of rhetoric; With fresh and simple brushwork, it expresses people's homesickness and becomes the most familiar poem for Chinese people.

The rough and pure realm is deep, and the leaves are ringing in the sky.

Mo Yan has no reward in the world, and a song wins thousands of gold.

"Chilechuan, below the mountain, the sky is like a vault, and the cage covers the fields. The sky is wild, and the wind blows grass and sees cattle and sheep. " This northern folk song is bold and unconstrained in style, and its language is simple and catchy. Although it comes from "Xialiba people", it is not inferior to "Yangchun Baixue". It truly expresses the aspirations of the working people, has distinct characteristics of the times, and has played a role in promoting the creation and development of poetry.

Language is naturally novel, but powder and fat are more intimate.

There is no amazing sentence, and there is a god in your eyes.

If poetry deliberately pursues the perfection of form and the magnificence of rhetoric, it will only lose the simplicity and beauty of nature. Just like a girl with a pure appearance, she pursues exotic clothes and pink lipstick excessively and loves to dress herself up with heavy makeup. Instead, it masks her innate charm and looks annoying. It is better to wash her pink lead and let her wear it lightly to make the original color more lovely.

Implicit and straightforward, smooth and fresh is what you want.

It is also romantic to cut out spoken English instead of old words and obscure words.

Now there are many good poems describing modern life, which are full of modern consciousness and extracted from spoken language. For example, Yang wrote "Chicken Commander": "I like to be a commander, blow a brass whistle and get whipped. Dinner is like a boat. Soldiers line up and peck at the hesitant raindrops. Pick up more than 200 eggs and earn thousands of dollars a month. After the big brother met at dusk, the green feed was full of smoke. " The language of this poem is popular and fluent, and the artistic conception is very fresh. Mr. Nie Gannu is also a master of cutting spoken English into poems, such as "four hands and one heart saw, you pull me back." ("Wood Carving for Li Jinbo") "There are three or two white words in the mouth and a pair of yellow braids on the head." (stewardess) "Crush bad ideas and travel around a new world" ("Push the mill") and so on. These unpretentious vernacular words show the incomparable vitality of exquisite and gorgeous rhetoric.

Implicit beauty

It is intended to accommodate people outside the text and learn the truth again and again.

Poetry is like olives, though bitter and sweet.

There is a poem "Quiet Girl" in the Book of Songs, which reads: "Quiet girl is beautiful, when I am in the corner. Deliberately hiding for me to find, scratching my head. The quiet girl looks good. Give me a tong tube. Tong Guan Hui You said that women are beautiful ... "A handsome young man and a beautiful little girl had a tryst on the watchtower of the city. The young man arrived, the little girl deliberately hid, and the young man scratched his head and was at a loss. When the little girl came out and gave the young man a bright red pen, the young man was extremely happy and had a deeper affection for the little girl, which was implicit beauty. If the little girl comes out to see the young man directly and says something frivolous, it will be boring, and she will not be eager to "pose" or "talk about female beauty" sweetly.

The characteristics of implicit beauty are: unspeakable and intriguing, such as eating olives and chewing endless sweetness from bitterness; It is necessary to wash away the lead powder, giving people the aesthetic feeling of "old trees blooming", and let readers feel the powerful appeal of the work after enjoying it. Don't let people forget a good poem after reading it. People want to read it again after reading it. They also want to find something from this poem. It seems that they can't find it literally, but they still think they can find it. Exactly: the feelings are beyond words and the symptoms are overwhelming.

Ninglianmei

Only said a word for future generations, Wan Li scenery is a word.

Knock on poetry and come up with ordinary sentences. There are not many new ones.

The language of poetry is extremely concise and needs limited space to express as much content as possible. Use words like fighting, and one is ten. Wei Zhuang, a poet in the Tang Dynasty, wrote "Six Dynasties are like a dream, birds singing in the air" ("Jinling Map"), which covers the historical process of Jinling, the capital of Wu, Song, Qi, Liang and Chen in the Eastern Jin Dynasty, from prosperity to decline for hundreds of years. Among them, there are lyrical scenes, mixed scenes and lamentations, which are beyond words. Du Mu's "Thousand-Li Yuanbao Singing Green and Reflecting Red" ("Spring in the South of the Yangtze River") captures the beautiful spring scenery in the south of Fiona Fang in only seven words, which is colorful and full of spring, and can be described as "Wan Li".

"Wen Xin Diao Long Lian Zi" says: "A good writer is rich in 10 thousand articles and poor in one word." The ancients demanded that there be no empty meaning in writing, no empty words in sentences, no empty words in words and no empty words in words. Refined words, hit the floor, have convenient words, novel sentences and far-reaching intentions. However, the ancients put more emphasis on artistic conception when refining Chinese characters, and should not carve too much. Easy to see, easy to read, easy to read. Plain words are strange, ordinary words are dangerous, old words are new, and plain words are colored. These "three changes" and "four views" can be used as a yardstick to test the quality of refined characters.

Artistic beauty

It means that the first one to be tempered will get stronger and stronger.

The language is simple, women and children are happy to sing, and the meaning can be passed down from generation to generation.

Poetry creation lies not only in refining words and sentences, but also in refining meaning. The same theme, written by different poets, can present different scene descriptions and form different artistic conception and aesthetic effect. For example, Wang Wei's "Advise Jun to make more wine, there is no reason for people to leave Yangguan in the west"; Li Bai's "Peach Blossom Pond is deeper in thousands of feet than in Wang Lun"; Gao Shi's "Mochow has no bosom friend in the future, and no one in the world knows the monarch", the themes of these three poems are written off, which have created different artistic beauty due to different ideas and expressions. Another example is Du Fu's song: "Song Xin hates less thousands of feet", and Chen Yi's song: "The snow is loose and loose." Lu You Yongmei: "Scattered into mud, rolled into dust, only the fragrance remains"; Mao Zedong: "Joe doesn't fight for spring, he only reports it." The poet has a unique eye and a new way, and has become a model for refining the soul.

Image beauty

Mao Zedong said: "Poetry should think in images, not as straightforward as prose." Poetry speaks by image, and poetry creation should use image thinking. The image beauty of poetic language is first manifested in the artistic conception with image thinking.

Beyond time and space, we can think skillfully through images.

Clouds will come out of the chest, and floating algae will enter the pen.

Through imagination and association, thinking in images gallops in a very high and far space, breaking through the limitations of ancient and modern China and foreign countries, and then selecting and summarizing among many images, making feelings more vivid and objects more clear, and finally creating a concrete, vivid and highly summarized image. This process, from the poet's feelings about things to writing things with poor feelings, is always carried out in concrete images rather than abstract concepts.

Pay attention to things, cherish your photos, and know that Bixing is a treasure.

Dare to teach the old tune, not follow others' footsteps.

Bixing is the conception process and expression technique that causes feelings and associations when poets describe things. To put it bluntly, it is the application of image thinking. Such as "Storytelling": "Storytelling, I have no food! Three-year-old woman, I am willing to care about ... "Throughout, with the method of" comparison ",the crimes committed by the ruling class in vain are vividly exposed. Another example is Guan Yu: "Guan Yu's dove is in Hezhou. My fair lady, a gentleman is a good gentleman ... "Here, pigeons singing on the mainland are used to cheer, so as to arouse the content of ladies and gentlemen below.

It is fresh to integrate feelings into the landscape, and it is natural to touch the landscape.

Imagine a new realm, half from reality and half from immortals.

Wang Guowei said in Tales on Earth: "There is a creative environment and a writing environment. This ideal is separated from reality. But it is difficult to distinguish between the two, because the environment created by great poets must conform to nature, and the environment written must also be adjacent to the ideal. " Creating and writing scenery also requires thinking in images, sending affection to the scenery and melting into it. The scenery you see contains the poet's feelings, lifelike, lifelike. Things express feelings, touch the scene to bring feelings, feelings are born from the scene, not fabricated out of thin air, it is natural and natural. Scenery blending, the poet combines realistic scenery with romantic feelings to create a unique realm, which allows people to experience the thoughts of poetry from the taste and feelings of images and accept the influence of beauty.

Musical beauty

Poetry is always sung, so it is called "poetry". China's earliest collection of poems, The Book of Songs, once played string songs, and Han Yuefu is a folk song collected by music institutions. Although literati poetry has been divorced from the fixed tune, its musicality has been integrated into the flat rhythm of language.

Flat and short, the cycle rhythm is melodious.

Or sing or sing intoxicating, just like a chapter in Penglai song.

Classical poetry, especially metrical poetry, is very particular about temperament, requiring even sentences and reciting words; There is a floating sound before and a syncopation after. Specifically, in one sentence, hierarchy and rank alternate, in a couplet, hierarchy and rank are opposite, and in the upper and lower couplets, hierarchy and rank are connected. Singing catchy, harmonious and consistent, that is, it has the rhythmic beauty of cadence and the rhythmic beauty of loop back and forth; Smelling it is like enjoying the elegant Yue Xian, which makes people get the edification and enjoyment of beauty.