Throw it away to death, and the temples will be spotted and the Qutang Lingguan will be born.
Jiangnan smiled and stood in front of Yueyang Tower to Junshan.
The wind and rain in Mitsue leaned against the railing, tying the ladies' twelve buns to the ladies.
It's a pity that I can't face the lake, but I can only see Junshan in the Yinshan pile.
Tags: Emotions in the Scene of Happy Poems about Climbing the Building
The translation of "Climbing Yueyang Tower and Seeing Junshan in the Rain" was sent to Bianhuang, and now it has walked out of Qutang Gorge alive.
Before I got to Jiangnan, I smiled and stood on Yueyang Tower facing Junshan.
Notes on "Climbing Yueyang Tower and Looking at the Mountain in the Rain" (1) Yueyang Tower: It is located in the west gate of Yueyang City, Hunan Province, facing Dongting Lake. Zhang Tang said that it was built when he went to Yuezhou and rebuilt in Tengzongliang in the fifth year of Song Dynasty (1045). Fan Zhongyan wrote the story of Yueyang Tower. Junshan: An island in Dongting Lake.
(2) Abandoning the desert: being exiled to a remote place. Tang Dugu and Wen Zhong, the Duke of Mingzhou: "The public bears the burden of abandoning the country and giving it to other countries." Hair on the temple: hair on the temple. Tang and Zhang Zhi's "Letter from Home": "Teenagers leave home, old people return, and the local accent does not change." Spot: gray.
⑶ Qutang Gorge: Qutang Gorge, located in the east of fengjie county, Chongqing, is the head of the Three Gorges of the Yangtze River. Guan (Yan) Guan (Y) Guan: The jumble is a big stone standing at the mouth of Qutang Gorge, which is abrupt in the middle of the river and the situation is steep. The current nearby is very fast, which is a dangerous area for navigation. There is a saying in ancient folk songs that "a pond is as big as a pond, but it cannot be touched". Because of its danger, it is called Guan. Lingguan, born in Qutang: Ban Chao joined the Western Regions in the Eastern Han Dynasty for 3 1 year and was homesick in his later years. There was a saying that "I wish I could be born in Yumen Pass". Use its language here. In: One is out.
⑷ Jiangnan: This refers to the south bank of the lower reaches of the Yangtze River, including Fenning, the author's hometown.
[5] Sichuan: This refers to Dongting Lake.
⑹ "knot" sentence: Junshan seen when writing the rain railing. Knot: To tie up (hair). A bun. Hunan-Hubei Love: Mrs. Hexiang in Chu Ci is said to be Shun Di's second concubine and lives in Junshan. Small bread. Twelve-style: It means the ups and downs of Junshan Mountain, like various hairstyles of the goddess.
⑺ Dang: Right opposite, which means facing the top of the lake.
⑻ Yinshan: a "silver plate".
Appreciate the first poem "Climbing Yueyang Tower and Looking at Junshan in the Rain" and forgive the joy of returning. The first sentence is about a bumpy life, and the second sentence is about never wanting to get out of Qutang Gorge and Lingyi Pass alive again, indicating the joy of rebirth after the robbery. There are three or four sentences that further describe the happy mood of returning from exile: Before I arrived in my hometown in the south of the Yangtze River, I had a very happy smile. I enjoyed the magnificent scenery on this Yueyang Tower and I don't know how pleased I was to return to my hometown. This poem is free and easy, and the poet's optimism and open-mindedness can be imagined, which reflects the poet's feelings of not being afraid of difficulties and being open-minded and free and easy. The whole poem is accurate and accurate, and the emotional expression is true.
Poetry regards Junshan as an action, allowing readers to guess and feel for themselves. This ending and Wang Wei's "Answer to a Deputy Magistrate" ended with a sentence "Do you ask me good or bad luck? Listen, there is a fisherman singing on the lake! " There is also the ending sentence of Du Fu's "Tie Chicken Line", "When there is no gain or loss, pay attention to the cold river leaning against the mountain pavilion". These two sentences have not been written, and the meaning is still unfinished.
The second song is about the feeling of overlooking Dongting Lake on the railing. "A Storm in the City" implicitly refers to the bad political situation in which the author lives. Even in such a difficult environment, he enjoyed the lakes and mountains with great interest, which shows that his mind is the second highest. In the second sentence, I got the impression when I wrote the railing, saying that from a distance, the peak of Junshan looks like twelve steamed buns tied by the perfume goddess, which shows the spirit of Junshan. Step by step, it's very pleasant to look at Junshan carefully on the crest of the lake wind blowing head-on and white waves lifting the sky. "Looking at the Castle Peak in the Yinshan Pile" wrote an extremely magnificent landscape with simple pen and ink. It is admirable for a poet to write such high-spirited poems for the rest of his life with such an open mind.
A person in a high coat can see Dongting Lake; The building is located in the west gate of Yueyang City, and there is still a distance from the lake. You can't see the green hills in the "Yinshan Pile" in the storm, so you have to imagine it as a steamed bun of Hunan and Hubei. Liu Yuxi's "Looking at Dongting from afar" says: "Looking at Dongting from afar, there are green snails in the silver plate." Tao Yong's "Wang Junshan" said: "Wash and dress should be daffodils, snail indigo mirror heart." It may give Huang Tingjian some inspiration and provide him with an imaginary foundation.
Since Shao Sheng's early years, the poet was framed and demoted by his political opponents for compiling national history, and his political status was slightly improved when Hui Zong ascended the throne. At this time, I went east from Hubei along the river and passed Yueyang, ready to go back to my hometown. The poet experienced hardships, long-distance wandering and depressing travel conditions, and stood alone in the tall building in the wind and rain. Therefore, on the one hand, he is glad that he can survive the natural disaster safely after despair, on the other hand, he looks back on his life and looks forward to the road ahead, but he can't help but draw lessons from it and feel dejected. Therefore, I feel something in my heart and laugh sadly. In Su Shi's Crossing the Sea on the Night of June 20th, "I don't hate Nan Jiu's narrow escape, so I have a wonderful trip for the rest of my life". This old man is really ambitious, and he has already put aside all his troubles, just as Guan Hanqing said in the divertimento "A flower in the south, but I can't steam, cook or hammer". Compared with Huang Tingjian, he seems to have not completely forgotten his own gains and losses. This difference in temperament is accurately reflected in the works.
Huang Tingjian (1045- 1 105), the author of Climbing Yueyang Tower and Seeing Junshan in the Rain, whose real name was Fu Weng, also known as Mr. Yu, Han nationality, was born in Fenning, Hongzhou (now Xiushui, Jiangxi). Poet, poet and calligrapher in the Northern Song Dynasty, the founder of Jiangxi Poetry School, and Du Fu, Chen are also called "one ancestor and three schools" (Huang is one of them). Yingzong Zhiping for four years (1067), Jinshi. Professor Ye Xianwei from Beijing, Professor Lang Xianping from imperial academy, School Book Lang, Cao Zuolang, Secretary Cheng, Fuzhou Biejia, Guizhou Resettlement House, etc. In terms of poetry, he and Su Shi are also called "Su Huang"; In terms of calligraphy, he, Su Shi, Mi Fei and Cai Xiang are also called "four great masters in Song Dynasty". In terms of lyrics, although he was once known as Qin Guan, Huang's achievements in lyrics are far less than Qin Guan's.
Huang Tingjian's Other Works ○ Qingming
Brother Deng Kuai
○ Where does Qingping Music Return in Spring?
○ Send some replies to Huang.
○ shepherd boy poetry
○ More works by Huang Tingjian