Appreciation of Deng Kuaizai's Pavilion Poems

1, the last two sentences of Deng Kuaizai Pavilion are: "If you board the pavilion, you will never be happy. You must return the children." Before enjoying it, Sanlian wrote down what they saw on the pavilion, describing water, mountains and sky respectively, from low to high, with distinct levels, and comprehensively describing the scenery of wild dusk, which is unique in writing scenes. It shows the poet's careful observation and perfect appreciation. At the end of the poem, "boarding" is pointed out, which summarizes the top three with "endless excitement", while the youngest son and others at home are going back, indicating that they are still in full swing and reluctant to go. Writing in this way breaks the traditional layout of boarding poetry; Finally, I turned off the evil spirits with emotion, which also reflected the cuteness of the scene. I didn't go back by myself. When I left, I deliberately aggravated my mood. I was praised by Fang Hui, "The last sentence was particularly quiet and forced Lao Du." This conclusion is precisely the author's intention to increase the weight of the last sentence and create a situation for emotion. 2. The original text goes to Qingjiang Qu in Kuaizaiting City, and springs flow between rocks. The sunset is hiding underground, and the twilight is already on the mountain. Where the bird wants to go, it is also free to run to the clouds. Prosperity is endless, so the young child must be returned. 3. Creation background Song Shenzong Xining (1068—1077) At the end of the year, Li Bangzhi held a ceremony in Xuzhou, rebuilt a pavilion in the old site of Yangchun Pavilion, and was later named Kuaizai Pavilion by Su Shi. This poem was written by Fu Yuanyuan (1098) when Chen Shidao was a professor in Xuzhou. 4. Author's brief introduction Chen Shidao (1053— 1 102), a poet in the Northern Song Dynasty. The word road is smooth, and the word has no self. Pengcheng (now Xuzhou, Jiangsu) is a native. The family is poor. In his early years, he studied literature in Ceng Gong and never intended to be an official. Yuan You (1086— 1094) was recommended by Su Shi and others as a professor in Xuzhou. Later, he served as Dr. imperial academy and secretary of provincial orthography. Poetic Du Fu, painstakingly tempered, simple and old, was highly praised by Huang Tingjian. As one of the "Six Gentlemen of Sumen", he is a representative writer of Jiangxi Poetry School and often sings with Su Shi and Huang Tingjian. There are "Mr. Houshan Collection" and "Talk about Houshan". Birds in the sky are flying in a hurry and don't know where to go; The white clouds floating in the sky are so leisurely, just like my mood. I stood on the pavilion of Kuaizi, too excited to stay. It suddenly occurred to me that the children at home were waiting for me, and I reluctantly left this charming place. The third couplet is a famous couplet. Poetry captures birds and clouds in the distance from the dusk scenery and the twilight of distant mountains. That flying bird is a symbol of the hurry of life. These two sentences are meaningful and have the power to inspire the whole article. At the end of the poem, "boarding the boat" is pointed out, which summarizes the previous triple with "endless excitement", and the youngest son and others at home have to go back, indicating that they are still eager to go. Writing in this way breaks the traditional layout of boarding poetry; Finally, collecting evil spirits with emotions also reflects the cuteness of the scene, so as to avoid going back by yourself and deliberately aggravating emotions when leaving. Deng Kuaizai Pavilion, a poet in the Northern Song Dynasty, is located between Chen Shidao City and Qingjiang Qu, and spring water flows among rocks. The sunset is hiding underground, and the twilight is already on the mountain. Where the bird wants to go, it is also free to run to the clouds. When you are on the chessboard, you must return your children. The author of Climbing the Pavilion came straight to the point and wrote down what he saw and heard on the chessboard. The first pair of couplets is a close-up view, describing the city gate. I saw a winding river flowing around the city, and the spring water slammed against the stone. This couplet is a scene sentence, intended to create a quiet environment, which is closely related to the characteristics of Xuzhou City built by Bianshui and Surabaya. With flowing rivers and springs flowing in static cities and rocks, the dynamic and static contrast, while the poet's line of sight from high to low, there are both large and small scenes, depicting the dynamics of winding rivers and splashing springs. Looking at the distance, it says mountain. The author climbed the mountain at dusk, so when he wrote the mountain, it was set against the setting sun. The sentence "Sunset" depicts a picture of the sunset in the mountains: just after the sunset disappeared below the horizon, twilight rose in the mountains. These two sentences are about picturesque mountains at dusk, poems with flowing water, echoing up and down, and words and meanings flowing; The language of "Tibetan Land" and "Mountain" is ingenious, vivid and concrete, and full of picture sense; The verbs "hidden" and "dependent" are also used with great care to make the objective scenery active. When used here to describe the sun and dusk, it gives humanity to objective natural phenomena. The third couplet is a famous couplet. Poetry captures birds and clouds in the distance from the dusk scenery and the twilight of distant mountains. The sentence "Du Bird" is about the scenery in the air, but it is in harmony with the scenery and has profound implications. Although these two sentences are straightforward, they also vaguely reveal the poet's desire for peace of mind and freedom. There is no lack of chewing, and the flying bird is a symbol of hurried life. In Du Fu's poem, he said, "Looking up at a bird has passed, and it is futile for a hundred years." It means life flies like a bird. Chen Shidao studied Du Fu's poems and refined words, and spent a lot of time on function words. The words "desire" and "also" in these two sentences are very verve. "Where do you want to go" comes from asking questions, giving people imagination; "I'm free, too." Say I'm free and say I'm free. It means pun, which expresses what I saw in the pavilion in the first three parts of the poem. It describes water, mountains and sky respectively, from low to high, with distinct levels, and comprehensively describes the scenery of wild dusk, which is unique in writing scenery. It shows the poet's careful observation and perfect appreciation. At the end of the poem, "boarding" is pointed out, which summarizes the top three with "endless excitement", while the youngest son and others at home are going back, indicating that they are still in full swing and reluctant to go. Writing in this way breaks the traditional layout of boarding poetry; Finally, I turned off the evil spirits with emotion, which also reflected the cuteness of the scene. I didn't go back by myself. When I left, I deliberately aggravated my mood. I was praised by Fang Hui, "The last sentence was particularly quiet and forced Lao Du." This conclusion is precisely the author's intention to increase the weight of the last sentence and create a situation for emotion. Chen Shidao, who is often criticized by Zhang Guangduan, is often good at writing landscape poems with lonely vitality and deep feelings. While deliberating words and phrases, he pays more attention to expressing his understanding of the scenery, so as to explore the unique beauty of nature, and often can deeply inject his feelings into the scenery and appreciate its true interest. The scenery of this poem is orderly and lifelike, showing its personality realm. Qingjiang river winds, spring water flows, dusk comes, birds and flowers are fragrant. This image shows the noble interest of being carefree, poor and happy in the world. The whole poem is vigorous and vigorous, old-fashioned, and although there are no strange words, it is full of interest and pure gas to win. Ji Yun praised his "deliberate pottery washing and health preservation". The author's style is due to the aloof personality of Du Fu and Chen Shidao. Fang Hui commented: "The whole article is dark and the last sentence is particularly quiet, which makes Lao Du also." It is pointed out that the vigorous and powerful style of this poem is similar to that of Du Fu.