There are 300 longest ten poems in Tang poetry.

10, The Cottage Was Blown by Autumn Wind, Du Fu, 17 1 word.

This poem was written by Du Fu, a poet sage, when he lived in a thatched cottage in Chengdu. It can best reflect the poet's lofty ideological realm of worrying about the country and the people, and is a model of Du Fu's poetry.

9. Li Bai's "Into the Wine", 176 words.

This poem was written by the poet Li Bai in the eleventh year of Tianbao. Li Bai, who is in his fifties, went to dinner with his friends Cenxun and Yuan Danqiu. Because he lamented the passage of time, accomplished nothing, and was both sad and angry. When he was drunk, he sang this swan song of "peerless talent".

8, "Ge Yanxing" Gao Shi, 197 words

This poem was written by the Tang Dynasty poet Gao Ying in the 26th year of Kaiyuan. While praising the soldiers' bravery and patriotism, the poem reveals that the lords are arrogant, underestimating the enemy and not caring for the soldiers, which leads to the failure of the war. The whole poem is magnificent and tragic, and it is a famous frontier fortress.

7, "Military Vehicle Shop" Du Fu, 223 words.

This poem has profound ideological content. Through the recruiter's reply to the old man, it poured out the people's hatred of the war, exposed the long-term military battle of Emperor Xuanzong of the Tang Dynasty, and caused great disasters to the people.

6, "Moonlit Night on the Spring River" Zhang, 252 words.

This poem takes the moon as the main body and the river as the scene, depicting a beautiful, remote and dreamy moonlight scroll by the river. When expressing the feelings of parting and life, it creates a deep, ethereal and quiet realm, which has high aesthetic value and is known as "a solitary poem covers the whole Tang Dynasty". Mr. Wen Yiduo praised him as "the poem in the poem, the peak on the peak". Zhang Yisheng left only two poems, which were also "a lonely poem, but it was written for everyone".

5. "Climbing Mount Tianmu in a Dream" by Li Bai, 286 words.

This is a dream poem of Li Bai, and it is also a fairy poem. On the grounds of remembering dreams, this poem expresses the desire for light and freedom, the dissatisfaction with the dark reality, and the indomitable spirit of resistance. With rich and peculiar imagination and bold exaggeration, the poet has formed a sleepwalking picture that is both virtual and real, and it can be called a peerless masterpiece.

4, "Shu Dao Nan" Li Bai, 294 words

This poem is the pinnacle of more than 0/00 Yuefu songs written by Li Bai. With a romantic approach, it develops rich imagination, artistically reproduces the spectacular, abrupt, tenacious and rugged Sichuan road, and shows the magnificence of the motherland's mountains and rivers, and is known as a "strange" work.

3, "Pipa Story" Bai Juyi, 6 16 words.

This poem is one of the poems of Changle House written by Bai Juyi, a poet in the middle Tang Dynasty. The poem reveals the unreasonable phenomena such as bureaucratic corruption and talent burying at that time by describing the superb playing skills and unfortunate experiences of pipa girls. The description of music in this poem can be said to be a must.

2. Song of Eternal Sorrow (Bai Juyi), 840 words.

Song of Eternal Sorrow is also a long narrative poem by Bai Juyi, a poet in the middle Tang Dynasty. The love tragedy between Emperor Xuanzong of Tang Dynasty and Yang Guifei described in the whole poem has infected readers for thousands of years and had a far-reaching influence on many literary works in later generations.

1, Yin (Wei Zhuang), 1666.

Fu Qin Yin is the longest narrative poem in the Tang Dynasty, written by Wei Zhuang, a poet in the late Tang Dynasty. In the poem, the author borrows the tone of a woman who meets by chance and tells us a picture of a hell on earth during Huang Chao's occupation of Chang 'an from 880 to 882. Later generations called this poem "The Peacock flies southeast" and "Mulan Ci" as "the three wonders of Yuefu". Some people think that it is the third narrative poem monument in the Tang Dynasty after Du Fu's Three Officials and Three Farewells and Bai Juyi's Song of Eternal Sorrow.

Fu Qin Yin has been widely circulated among the people since its birth. However, in his later years, Wei Zhuang kept his mouth shut about "The Ode to Fu Qin", but he couldn't help but praise the poem and took back the manuscript from all over the country. As a result, future generations only know his name, not his poems.

It was not until modern times that the written version of Fu Qin Yin reappeared in Dunhuang Grottoes. Among the ancient Chinese characters taken away from the Yellow Mogao Grottoes by the Englishman Stein and the Frenchman Buriott, there is Yin. After scholars collate and study the manuscripts sent back from abroad, we can get a glimpse of this historical masterpiece that has been lost for more than 1000 years.

"... there are women in the south who can't remember their last names. Yesterday, good media recruited new people. The glazed steps are unknown, and the jade curtain is empty. Suddenly I saw the blade ring in court, and my head was scattered in an instant. Crying in the sky, the female brother and sister went down the well together; ..... There are foxes and rabbits in Hanyuan Temple and thorns in front of Calyx Building. Prosperity was buried before, and there was nothing but desolation. The inner library is burned into splendid ash, and the sky street is full of bones! ……"

Fu Qin Yin is a historical microcosm of a period of national suffering, both in its content and experience. Reading Yin's content can better understand the value of peaceful life. Knowing Yin's experience can better understand the importance of a powerful country.