What is Qu Yuan's most important masterpiece?

Li Sao is the most magnificent poem of Qu Yuan, and it is also a long lyric poem in his life. There are no more poems in China's classical literature. The whole poem has 373 sentences and 2477 words. This poem sharply criticized the darkness and corruption of the fatuous royal family, expressed infinite loyalty to the motherland and the people, and at the same time showed his sadness and anguish that his political ideal could not be realized.

Nine Songs is a set of sacrificial songs based on the folk sacrificial songs of Chu when Qu Yuan was exiled to the south of the Yangtze River. There are 1 1 poems in nine songs, which are dedicated to1/kind of gods respectively. "Nine Chapters" is a group of lyric poems written by Qu Yuan, with one ***9 articles. That is, the ode to the past, the sorrow of her river, the thoughts, the thoughts, the past, the praise of oranges and the sadness return to the air. Mourning is the most profound expression of Qu Yuan's patriotism. Nine Chapters and Li Sao are one kind of works, but the difference is that Li Sao is a comprehensive self-narrative of Qu Yuan's life, and Nine Chapters is a concrete record of his life and a manifestation of his mood. Nine Chapters is the most valuable material to study Qu Yuan's life and thoughts. Tian Wen is a rare article in the history of China literature. It begins with the word "heaven", and the author puts forward more than 170 questions about heaven, earth, god and man in one breath, which clearly shows the author's exploration of the root of things and indomitable fighting spirit. The whole poem ***374 sentences, 1553 words, is the second long poem in Qu Yuan's works.

Evocation is a superstitious activity in ancient China. During the Warring States Period, this kind of witchcraft religious activity was extremely popular in Chu State. After Chu Huaiwang died of illness in Qin Dynasty, Qu Yuan created this poem with artistic characteristics by using folk customs and artistic forms. In his poems, he described the heaven, the earth and the four directions in a thrilling and tragic way, telling his soul not to go anywhere and to return to his motherland as soon as possible. The soul that Qu Yuan recruited actually recruited the soul of Chu, because Qu Yuan linked his fate with Chu. Whether it is ideological content or artistic technique, evocation plays an important role in the history of China literature.