The poet Ruan Ji's most famous poem is

Ruan Ji's representative work is Eighty-one Poems of Huai. These poems express feelings, opinions and ideals, which created a precedent for political lyric poetry in the history of China literature and had a great influence on later generations. Yan Yanzhi in Liu Song Dynasty said: "Ruan Ji was always worried about disasters in Jin Dynasty, so he pretended to sing this song." Shan Li also said: "(Ruan Ji) is determined to ridicule, but his writings are mostly evasive and light, and it is difficult to guess after a hundred generations." ("Selected Works of Poetry")

Sleepless at Night, one of Ruan Ji's Poems of Yong Huai, is his most representative work, which laid the foundation for the whole group of poems. The poet used metaphor, his movement process: waking up, sitting up, sitting and playing the piano, watching the moon and listening to birds singing, and then wandering; His psychological process: from worry to worry to worry and sadness; Writing lonely floods and flying birds makes the political environment natural. The whole poem is shrouded in a sad mist in late autumn, showing a strong sense of sadness and loneliness. The words "loneliness" and "independence" are enough to express his inner pain.

Ruan Ji's obscure contradiction is more prominent. I read a lot of Ruan Ji's things and biographies, and I was deeply impressed and shocked by this madman who suffered from irreconcilable ideals and reality. Although the poet sighed "sorrow alone", he never directly broke "sorrow", but "directly quoted feelings to show people", and included his inner emotions in the image description, adding a copy to me. Leng Yue's cool breeze, lonely wilderness and sleepless nights have turned invisible "troubles" into intuitive images, as if they were in front of people's eyes and ears. Readers can feel the poet's lonely and angry mood from the "situational tone" shown in the poem. The remarkable feature of this poem is that "words are heard in the sky, and feelings are sent outside the eight famine".

Ruan Ji often does not express his feelings directly when reciting his thoughts, and protects himself carefully in a sinister political environment, but he never really forgets the world. So I choose some symbolic images to express my feelings implicitly through their accumulation and combination.

In modern critical terms, this poem is almost an obscure poem. Some write about the moon, some write about the breeze, some write about lonely rainbows, some write about birds, some write about playing the piano while sleeping, and some write about their own wandering and worries, but they don't specify or imply their specific contents. Some scholars in the Qing Dynasty often quoted historical facts to verify their own meaning, and the result was often that they lost their main idea. Among them, Fang's opinion, "This is the starting point of" August 1st ",but it is always said that you can't sing your heart out in words" ("Zhao Wei Yan Yan"), is relatively close.

"Harmony" is an important feature of Ruan Ji's poems about nostalgia, which mainly refers to a seamless state between the objective world and the poet's heart. External objective things vibrate on the poet's nerves and play a symphony with the poet's heart. The harmonious state between the poet's aesthetic psychology and the outside world transcends the general poetic principles and reaches a mutual resonance and cognition of the spiritual world of subject and object. It is a way for human subject world to perceive object world. In this way, the object world is not an inanimate existence, but a soul that can make symphonies and fit with the human mind. This kind of correspondence between things and me is an important factor in the formation of one of the aesthetic experiences of poetry, and it is also one of the manifestations of hidden symbols of poetry.

In the first two sentences, the poet couldn't sleep at night, sat up and played the piano, creating a lonely and sad lyric hero image. However, this poem does not explain why he is sad. Then he wrote what he saw, which looked elegant on the surface, but in fact it was a desolate scene. The lyric hero is integrated into such an environment, and the emotion and scenery, meaning and image of the poem are blurred, and his poem is "nothing"