Good rain knows the season, when spring comes.
Sneak into the night with the wind, moisten things silently.
The wild path is dark, and the river is bright.
Look at the red and wet place, the flowers in Jinguancheng are heavy.
This is a masterpiece depicting the rainy scene on a spring night and showing a happy mood.
Praise "rain" with a "good" word from the beginning. In life, "good" is often used to praise people who do good things. Praising rain with "good" now will arouse the association of people who do good things. Next, personify the rain, saying that it "knows the season" and knows how to meet the objective needs. Isn't it? Spring is the season when everything germinates and grows. As long as it rains, it begins to rain. Look how nice it is!
The second couplet further shows the "good" of rain. Rain is "good" because it is timely and "moistens things silently". Spring rain, usually accompanied by a breeze, carefully moistens everything. However, there are exceptions. Sometimes, it will be accompanied by cold wind, from rain to snow. Sometimes, it will be accompanied by strong winds and heavy rains. Although this kind of rain is in spring, it is not a typical spring rain. It will only hurt things, and it will not "moisten things quietly." Naturally, it will not make people "happy" and it is impossible to get a "good" evaluation. Therefore, the "knowing season" of the first couplet alone is not enough to fully show the "good" of rain. It was not until the second couplet wrote a typical spring rain accompanied by a continuous drizzle that the word "good" was implemented.
"Sneak into the night with the wind and moisten things silently." This is still anthropomorphic. The combination of "sneaking into the night" and "silence" not only shows that rain is drizzle accompanied by breeze, but also shows that rain is intended to "moisten things quietly" and has no intention of seeking "goodness" If you are interested in seeking "good", it will come during the day and create a little momentum for people to see and hear clearly. Just because it deliberately "moistens things quietly" and has no intention of seeking "goodness", it chose a time that does not hinder people's work and labor, and quietly and carefully went underground at the night when people were sleeping.
If it rains so well, I hope it rains enough and stays up all night. If only for a while, the clouds will disperse, then "moistening things silently" is very incomplete. The poet grasped this point and wrote the third couplet. On a less gloomy night, the path is easier to see than the field, and the river is easier to distinguish than the shore. What about now? Looking around, "the wild path is dark, and the river boat is bright." Only the lights on the boat are on. Besides, you can't even see the river, and you can't tell the path clearly. The sky is covered with dark clouds and the ground is as black as clouds. All right! It looks certain that it will rain until dawn.
The tail couplet is about an imaginary scene. After a night of such "good rain", everything will be nourished and prosperous. One of the flowers of all things, the flower that best represents spring scenery, is about to drop with the rain. Wait until tomorrow morning to have a look! The whole Jinguan City (Chengdu) is a peanut tree, "red and wet", red and heavy, and merged into a sea of flowers. So, what about the seedlings in the field? What about the Woods on the mountain? Everything. Everything?
Pu Qilong said: "It is easy to write about rain and cut the night, but difficult to cut the spring." This poem "Delighting in Rain on a Spring Night" not only cuts the night and cuts the spring, but also writes the noble character of a typical spring rain, that is, "good rain", which shows the noble personality of poets and all "good people".
The poet expects such "good rain" and loves such "good rain". Therefore, although the word "Xi" in the title does not appear in the poem, the meaning of "Xi" breaks through the cocoon "(Pu Qilong's Reading). The poet looked forward to the spring rain "moistening things silently", and it began to rain. As soon as he came up, he called "good" with joy. What was written in the second couplet was obviously heard. The poet listened attentively and heard the rain pouring down underground on a spring night, just to "moisten things quietly". Dont Ask For Help knew he was naturally "happy" and couldn't sleep. Because the rain is "moist and silent", I can't hear clearly. I am afraid that the rain will stop, so I will go out and watch it. What is written in the third section? I can see it clearly. Seeing the strong rain, I can't help but imagine the beautiful scenery of the city in spring after dawn. How vivid his infinite joy is!
spring scenery
Chang' an fell, the country was broken, and only the mountains and rivers remained; Spring has come, and the sparsely populated Chang' an city is densely forested.
Sad state, can not help but burst into tears, amazing birds, leaving sorrow and hate.
The war lasted for more than half a year, and letters from home were rare, with a hundred thousand gold.
Twisting with melancholy, scratching my head and thinking, the more I scratch my white hair, I can hardly insert a hairpin.
Worrying about the disorder and hurting the sick is an important theme in Du Fu's poetry creation after the An Shi Rebellion. This poem immediately hurt the spring, and expressed the infinite grief and indignation in the chest with a painful style. Combine national hatred and family hatred to express, and every word shed tears. It was heartbreaking. Among Du Fu's poems of the same theme in the same period, this one is one of the most affectionate, profound and elegant realistic swan songs. Good poetry is the crystallization of the poet's noble feelings. Reading this famous article, our most amazing feeling is that the poet's broad mind of compassion for the world is so closely related to the fate of the motherland, the changes of the current situation and the sufferings of the people. He never sighs for his sorrow like a bug in the grass, but conforms to the main theme of grief and indignation of the times. In just 40 words, he played a sad and tragic elegy. The predecessors called Du Fu's poems "the history of poetry" because he was "good at presenting current events" and wrote many narrative works. If we understand the meaning of "poetic history" in a broad sense and focus on whether it shows the contradictions and emotions of the times, then lyric works like "Spring Hope" are also the most outstanding "poetic history".
The poem was written in March (757) of the second year from Su Zong to Germany, and Du Fu fell into a thief camp in Chang 'an. Its center can be summarized by the four words of "feeling time" and "hating farewell". Poetry is valued for its implication. However, at this time, Du Fu's wish to go to Su Zong to go to the national disaster failed to come true. Instead, he was caught by a thief, and his heart was extremely sad and full of worries, and he came out through the image of spring, generate. However, because of the rich emotional connotation, highly concise sentences, no singing or crying, and melting into the immediate scene, even if the words "the country is ruined and the family is dead" are said at the beginning, there are words directed at current events later, but the whole article still has meaningful and memorable poetic beauty.
The expressive level of the whole poem can be divided into two parts. The first four sentences, write spring scenery, see things hurt. The first two sentences, seemingly straightforward, actually contain strong hints that mountains and rivers are still the same, state affairs are no longer just, vegetation is overgrown, and people are sparsely populated. Couplets are aphorisms sung in ancient and modern times. These two sentences omit a verb, namely "tears in flowers" and "bird's alarm", which means "tears in flowers" and "bird's alarm" are complete. Spring blossoms, birds and flowers, should make people feel happy, such as when they are peaceful and happy. But at present, due to the national destruction, spring flowers have increased people's sadness in vain, and spring birds are more touching. Here, the echo and interweaving of the two feelings of worrying about the country and homesickness in the poet's chest are highly summarized and vividly written. A sense of time inherits the national ruin and the farewell, and opens up a letter from home, which is even more ingenious in terms of rules and regulations. Regarding the rich connotation of these four sentences, the previous episode "Tiaoxi Fishing in Conghua" quoted the cloud of Youcuo's poem: "The ancients were poems, which were more valuable than words and made people think about them. Therefore, the speaker is innocent. Those who smell it are enough to quit. Du Zimei is the most famous poet in modern times. For example, although a country is divided, mountains and rivers continue, trees and grass turn green again in spring, petals fall like tears, and lonely birds sing their sorrows. There are mountains and rivers, and there is nothing left in the Ming Dynasty. There are no people in the Ming Dynasty, flowers and birds, things that can be entertained at ordinary times. When you see them, you cry, and you will know when you smell them. " The analysis is reasonable and can be used for reference. The last four sentences of the poem, about the longing for spring, focus on two points: homesickness and impatience due to injury. Although I emphasize homesickness, I will never forget current events and once again closely link state affairs with family affairs. "bonfire" should be based on "national destruction" and "sense of the times", and the hearts of hurting chaos and worrying about the country should be consistent. "March in a row" means that the war is still going on and there is no chaos. It seems that the whole spring has passed in sorrow. "A letter from home is worth a thousand pounds of gold", a well-known saying, accuses people of the tragedy of family separation and family isolation caused by war with exaggerated metaphors. Because it accurately and vividly conveys human nature in the war-torn environment, it has won the praise of readers for thousands of years. At the end of the couplet, he described himself as white and short, vividly highlighting the poet's strong sense of hardship. The reason why Lao Du is Lao Du is that he always shows the philosopher's sense of hardship in the critical autumn of national luck.
Han Yu's Early Spring was presented to 18 members of Zhang Shui Department.
There is a lot of silk in the sky above the avenue, which is as delicate and moist as butter. The grass is vaguely connected in the distance, but it looks sparse in the near future.
This is the most beautiful season of the year, far better than the late spring of the green willow.
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Zhang: Zhang Ji, then Minister of Water Resources Zhang Wailang. Officials outside the system.
In the third year of Changqing (823), Han Yu presented a poem by Zhang Ji, the minister of water resources.
In the second poem in this series, the author said, "Mo Daoguan is busy being the boss, but no one is young." Young people are chasing spring, flapping butterflies, playing with flowers, and directly feeling the wonderful interest of nature with their childlike eyes. The boss's pursuit of spring is another scene. The official business is complicated and the world is vicissitudes. After fully experiencing the ups and downs in the world, I leisurely embarked on the journey of spring and enjoyed it to the fullest. At this moment, childlike innocence is of course important, and it is important to find its rich meaning in common things. Don't you believe it? Look at two poems written by Han Yu in his later years-"The rain in the sky is crisp, and the grass in the distance is near." The streets of Chang 'an, the imperial capital, are raining in Mao Mao. The rain is so light, so soft and so moist, like butter. No, it also has the extraordinary characteristics of cultivating everything that ghee does not have. Under the nourishment of drizzle, look at the color of grass. From a distance, it is hazy, extremely clear and brand-new, and it is waiting for you to approach. Instead, I feel that I have lost my green color, but I see the delicate grass buds that have just been drilled out of the ground.
In this poem, the author only adds meaning to "grass color". First, arrange a typical environment for it. "Tianjie" and "Xiaoyu" have pointed out that they were born in the imperial city, which was in early spring, rendering a strong spring atmosphere. Then, the author described his different feelings from afar. There were many kinds of scenery that could be absorbed into poetry in early spring. The gurgling stream, the euphemistic warbler and the dancing Shuang Yan can all symbolize the return of spring to the world, but the author vividly depicts a meadow, which may be a reflection of his unique mentality as a poet. The color of grass in the drizzle, if anything, first conveys the breath of spring. It doesn't want to compete with all kinds of flowers for the splendid spring in March, nor does it want to compete with Yuliu for the favor of your wife. It is lonely, silently showing people the vitality germination and recovery of nature. It ... don't you have a noble and refined temperament and talent? From the ordinary grass color, the author saw the unusual spirituality that it can communicate with people, and felt extremely happy. He wrote a hymn in his heart-"The most beneficial thing is a spring, which is better than a willow." www.findart.com.cn
Huang Shucan commented on the sentence "Grass Color": "Portrait is very hard. Just like a painter intentionally or unintentionally sets colors. " Indeed, the author is like a superb ink painter, who only paints the grass without dye, and his brushwork clearly reproduces the faint Bi Hen, which is true from a distance, but not from a close look. Therefore, writing the grass color in early spring can be described as both form and spirit. Before Han Yu, Wang Wei wrote "The Han River overflows", and the second couplet said: "This water runs through the world, and there are both mountains and mountains." Later, Ouyang Xiu implicitly put a poem into the word, and said at the beginning; "Pingshan fence leans against the clear sky, and there are both mountains and colors." The scenery on the mountain seems to be a feature of the open area in the distance. Its background is the outside world and clear sky, which is far away, so it feels lost. The background of Han Yu's poem is "the sky is like crisp drops", so the brushwork described by the author naturally turns to a grass color, not to mention the theme of the poem is to reveal the fresh feeling of everything sprouting in early spring! It can be seen that the author wrote the scenery in this way, not unintentionally, but intentionally. He created the artistic realm of "intentional or unintentional" for it, and that is the real master of poets.
Xue Jiang
Liutang Zongyuan
There are no birds flying over those mountains, and there are no traces of people in those paths.
A boat on the river, a fisherman wearing his webworm moth; Fishing alone is not afraid of snow and ice.
This is a poem written by Liu Zongyuan after he was demoted to Yongzhou. He used a fisherman fishing in the Han River to express his loneliness and depression.
Berthing Guazhou
Wang Anshi (Song)
A water room in Guazhou, Jingkou,
Zhongshan is separated by only a few mountains.
The spring breeze in Jiang Nanan is green,
When will the bright moon shine on me?
This is a famous lyric poem, which expresses the poet's deep affection for overlooking the south of the Yangtze River and missing his hometown. The title of this poem is "boating in Guazhou", which points out the poet's foothold. The first sentence "Guazhou in Jingkou is a water room" describes the scenery in front of us. The poet stood at Guazhou Ferry and looked south. He saw that Jingkou and Guazhou on the south bank were so close, separated by a river. Therefore, the poet thinks that Zhongshan, where his home is located, is only a few floors away, and it is not far. The second sentence "Zhongshan is only separated by several mountains" implies the mood of the poet anxious to return. The third sentence also describes the scenery, pointing out that the season is spring and depicting the scenery on the south bank of the Yangtze River. The word "green" means blowing green, and it is used wonderfully. Legend has it that Wang Anshi changed the word more than ten times in order to make good use of it, and finally chose the word "Qing" from more than ten verbs such as "Zhi", "Zhi", "Zhi" and "Zhi". Because other words only express the arrival of spring breeze, but they do not show the changes of a new green landscape on the Qianli River bank after the arrival of spring. The last sentence "When will the bright moon shine on me?" The poet has been waiting for a long time, but he didn't realize that at the beginning of the bright moon, the poet imagined a picture of "the bright moon shines on me" with interrogative sentences, further expressing the poet's feelings of missing his hometown. Literally, this poem shows nostalgia for my hometown. I have a great desire to fly across the river and reunite with my relatives. In fact, there is also a strong desire to return to politics and implement the New Deal between the lines.