The idle window in the yard is deep in spring, and the heavy curtain is not heavy. Leaning against the staggered, lonely and silent, gently fiddling with the lyre.
The clouds are far away, and the breeze is blowing and the rain is light, and it is difficult to thank pear blossoms. [ 1]
[Edit this paragraph] Note
Description: Poems such as Caotang (Yang Untitled) are called "spring scenery". Yuefu Elegant Ci is accepted as Yi 'an Ci. Ci Xue Ru Ti and other ci books were mistaken for Ouyang Xiu's ci, The Complete Works of Famous Ci and Fu in Ming Dynasty was mistaken for Zhou Bangyan's ci, and other books were also made anonymous. This word is also mistaken for Wu Wenying's word.
(2) Idle window: The original "window" covered up the "idle" error. Windows with diaphragms. Idle, idle. Idle windows are generally used for leisure.
Triple: refers to a dark boudoir with a heavy shadow. Sun Guangxian's "He Du" in the Five Dynasties: "The small hall is heavy in the clear night, and the silver lamp falls into the fragrant pool."
4 remote caves: remote mountains. The Five Dynasties Gu Xun's "More Leaks": "The distance is uneven." A cloud came out of a distant cave, which originated from Tao Yuanming's "Return to Words": "Clouds come out of caves unintentionally, and birds know when they are tired." Works such as Yuefu Ya Ci are called "mountains".
⑤ Fog: Evening, dusk. Fan Zhongyan's Yueyang Tower: "Twilight is invisible, tigers roar and apes crow." Song Han's "Butterfly Loves Flowers": "It's sunny and frosty. Heading east to the bridge, Zhu Lin suspected that there was no way. "
6 light shadows: dim light clouds. Don Zhang Xu's "Stay on the Mountain": "The light of the mountain makes the spring glow, not for the shade, and the teenager reflects the balcony during the day."
[Edit this paragraph] Inscription
Huanxisha
Huanxisha, the name of the Tang Dynasty, is also called Huanxisha or Huanxisha, because it was used in Ruoyexi. Up and down three seven words. Forty-two characters are divided into two parts. Yunping style has been passed down to this day. The earliest is the Han Wo Ci in the Tang Dynasty, which is formal. All three sentences in the first part use rhyme, and the last two sentences in the second part use rhyme. Most of them use antithetical sentences. Rhyme began in Li Yu in the Southern Tang Dynasty. [2]
[Edit this paragraph] Author
Author Li Qingzhao [3]
(1084- about 1 15 1) Song poetess. No. Yi 'an Jushi was born in Zhangqiu, qi zhou (present-day Shandong). Father Li was a famous scholar at that time, and husband Zhao Mingcheng was a textual research scholar. In his early years, he lived comfortably, and once cooperated with Ming City to collect and sort out calligraphy and painting stones. The nomads from the army entered the Central Plains and lived in the south. Ming Cheng died of illness and was in a lonely situation. In his lyrics, he wrote about his leisure life in the early stage, lamented his life experience in the later stage, and was deeply touched. Some of them also showed nostalgia for the Central Plains. In form, it makes good use of line drawing, forms its own school and has beautiful language. On the theory of ci, he emphasized harmony, advocated elegance and affection, put forward the theory that ci is different from one family, and opposed the method of writing poetry. He can write poems, but he doesn't keep much. Some of his poems are old and lyrical, which is different from his style of ci. There are Collected Works of Yi 'an Jushi and Yi 'an Ci, which have been lost. Later generations have a collection of Yu Shu's ci. There is a collection of Li Qingzhao's school notes today. [4]
[Edit this paragraph] Appreciate
Small, idle and deep, it is a portrayal of an empty boudoir. And the spring scenery is deep, so the heavy curtain does not roll, and the shadow is heavy. Chun Qing fidgety, more can't form words, can only be entrusted to the lyre!
The word "deep" is the eye of the film. Deep boudoir, deep spring, deep affection, the words "leaning against the building without words", "Sanzang Seven" and "Silence is better than sound" are full of wordless affection and have infinite charm.
The next movie falls in the sky, from indoor to outdoor. See Tao Yuanming's "Return to Ci": "Clouds come out of the hole unintentionally, and birds are tired of flying." Clouds and fog disperse, time flies, and I don't feel forced by the evening scenery. At night, it's even stormy, and the light is dim and gloomy. "De" not only refers to its light wind and rain, but also refers to the poet's emotional fluctuation of falling in love at first sight. After the knot, there is still a hole in the wind and rain to destroy the flowers, thanks to those unavoidable worries.
Poetry critics of past dynasties have commented on this word as "appealing to both refined and popular tastes" and "expressing language in simple language" (Shen Jifei's Poems of Caotang). It is self-evident to write about the spring grievances in the boudoir, with the help of unintentional clouds, breeze, rain, slightly cloudy, elegant and slightly ridiculous. This graceful and implicit lyrical way accords with the aesthetic taste of traditional poetry. [5]
[Edit this paragraph] Review
1. Yang Shen's Poems of the Cottage in the Ming Dynasty Volume 1: (Comment on the sentence "Far Clouds Catch the Sunset") Scenery language, beautiful language.
Second, Li Ming Pan Long's "Caotang Poetry Talk" Volume 1: (Eyebrow Comment) Obviously it is sorrow in the boudoir and resentment in the palace. (Comment) The young woman is affectionate, but Zhou Jun (wrongly referring to Zhou Bangyan) is shallow.
Third, Dong Qichang's "Reading Poems in Caotang" in Ming Dynasty, Volume 1: Writing about the feelings of girls, here are a few words.
Fourth, Shen Ming Jifei's Collection of Poems in Caotang Volume I: Elegant Practice. "I want to thank you" and "hard to ban".
Verb (abbreviation of verb) Appreciation of Wu Qingzhao's Ci (published by Qilu Bookstore in April 1986): This is a poem that cherishes spring. It's a pity that spring is already deep, and pear blossoms want to thank. The implication also reveals the faint sadness of life ... "leaning against the building and ignoring the lyre" is both a relief and a heart-warming. Being speechless at this time is a special state of mind, full of feelings and feelings. But an inexpressible psychological state. In silence. It was full of affection, so it was entrusted to Hector, who was full of resentment and longing. Lu You wrote a poem "Partridge Sky", which said: "It is difficult to know each other and hate each other, unlike pipa." The lyre tells the heart, and the pipa conveys hatred. Sometimes it is more convenient to tell his heart in detail than words, especially the ambiguous and confusing boudoir Chun Qing ... At the end of the sentence, "Pear blossoms are hard to ban" is full of deep regret and nostalgia, as well as helpless and helpless sighs and disappointments. Like Yan Shu's How Flowers Fall, they are all rational (flowers bloom and flowers fall, flowers thank each other). However, this sentence of Li Qingzhao seems to focus more on feelings, so Shen Jifei commented: "It's hard to thank, it's hard to put it simply" (Volume 1 of Poems of Caotang), which is more emotional than Yan Shu's "helplessness" ... Du Mu's poem: "A pile of snow next year, Su Shi's poem: "Pears are pale in Bai Liu and dark green, and willows are everywhere. A snow in Donglan, how clear is life? " Those who come to chant pear flowers often take this opportunity to express their feelings about life. The word Li Qingzhao may also contain this meaning. For pear blossoms, it is difficult to ban them. A sentimental woman can easily associate her fate with the gradual disappearance of her youth, which can not help but make people feel deeply. However, the style of this word is weak, and the feeling of life at this level is also weak in the word, and it is also between intentional and unintentional. If there is something, it will exist, and if there is something, it will die. Only savvy people will reward "Zhiyu" in their "light words".