Personally, I like to start with modern poetry, draw a general range with flat tones first, but I can't play it out before I look at ancient poetry.
Solve the poem first. Using the word "spring, summer, autumn and winter" to write Tibetan poems basically presupposes that poetry should have seasonal changes, and it is necessary to hide your head and spend some time.
Start with the five wonders. Although the first words of the five lines are even, the first words of the following sentences are still regular. If we look at the words "Ping, Ping and Ping", there are only five equal relations suitable for this topic:
Stand up. The first sentence doesn't rhyme.
(Ping) Ping, (Ping) Ping.
Flat and light, flat and light.
Change the first sentence to rhyme.
Flat and light, (flat and light) flat and light.
Flat and light, flat and light.
If you write a poem about the four seasons, it is not difficult. How about spring and winter? It is only necessary to arrange flat and even words to write landscapes, but this kind of poem is similar to the "four screens" and is a taboo for writing good poems. I wrote four sentences about scenery, but I didn't explain my feelings. This kind of poem is not much higher.
In fact, it's really not difficult, just casual:
Spring flowers are a hundred miles long, and summer rain rises the mountain pond.
Autumn fruit in first frost, winter wind freezes old branches.
Is this a poem? Of course it is, and it rhymes, which conforms to the flat and even meter. This is a five-line poem with a flat rhyme. But besides describing the scenery of the four seasons, does this poem say anything interesting and meaningful? No. So this is not a good poem. Poetry needs careful conception, especially quatrains. They should point to something and hold back, so that others will not only know what to say, but also follow your thoughts. This is the beauty of quatrains. Meaning transcends poetry.
Let's write another song.
Spring breeze gives me words, which is the second format, "level tone", that is, the level tone rhymes. Remember the flat format and Tibetan in the following sentences, and the meaning of the first sentence will probably come out. Spring has come, and I have something to say from my heart. The second sentence begins with the word "Xia", followed by the meaning of the first sentence, "Xia Yu lets you know" and "Hao Ping", but you are not around. It rains intermittently in summer. Let them tell you for me. The third sentence abides by the grammar of writing poetry, and instead of writing about scenery, write something else, "Autumn is close to home mountain". Autumn has passed, and you are near home. The last sentence, write a little, hide a little "enjoy poetry in winter." Let's get together in winter and sing the poem we thought of in spring-the poem back to spring. Don't write about acacia, but you should be able to see that this is acacia, right?
spring,summer,autumn and winter
Spring breeze gives me words, and summer rain reports to you.
Autumn is close to home, and poetry is enjoyed in winter.
There is spring breeze, summer rain, what, affection, directness and obscurity. Is this more interesting than the last song?
The combination of flat and parallel lines rhymes with "four branches", and there is no problem in hiding the head. Mission accomplished.
Other formats will not be written, leaving it to everyone.