1, foreground-close shot, first write a background with a big lens, and then highlight the things, things and people you want to express from the background.
2, doubt-disclosure, this type tends to be curious, from doubt to suddenly enlightened.
3, ordinary-sublimation, sublimation at the end of ordinary, giving people a shock.
4, ancient-modern (how to sympathize with ancient and modern times), poor-rich, thick-light, affectionate-ruthless, first anxious and then slow, or first heavy and then light brings a strong sense of contrast, leaving a deep impression.
Matters needing attention
No matter how many words a poem has, no matter how many lines a poem has, as long as it is more than three lines, it is not a miniature poem. This is the "rule" of micro-poetry, and this "rule" is also the basic feature that micro-poetry stands out from small poems and becomes an independent poetic style.
Any exploration and innovation of micro-poetry, whether in content, form or writing technique, must find a "big stage" to display its talents in the "small world" within these three lines, which is a "restriction" to "freedom".