Seeking: Comparison of architectural beauty, musical beauty and painting beauty between Wen Yiduo's Dead Water and Xu Zhimo's Farewell to Cambridge.

Xu Zhimo's understanding of the beauty of music, painting and architecture in Farewell to Cambridge,

The beauty of rhythm, melody and bounce-the beauty of music is obvious: for example, in the first verse of a poem, the adjective "light" is used three times, which makes the rhythm light, the melody soft and the bounce subtle, as if the poet were walking on tiptoe; The second verse of this poem is musically like a happy tune played with a violin full of bows; In the form of rhyme, strictly abide by the second and fourth rhymes, cadence, catchy. This beautiful rhythm ripples like ripples, which is not only the voice of pious students seeking dreams, but also conforms to the ebb and flow of poets' emotions and has a unique aesthetic pleasure. Seven verses are strewn at random, and the rhythm is slowly spread out in them, which is quite poetic. It can be said that it embodies Xu Zhimo's poetic beauty thought.

The bride's rainbow-like dream-the beauty of painting is obvious: almost every section of the eight poems contains a painting that can be painted, giving people a visual aesthetic enjoyment. One of the manifestations of the picture is that the poet used colorful words and created a series of vivid artistic conception. The golden willows covered with sunset glow, the green grass on the soft mud and the pool under the shade of the tree came into view one by one. The two metaphors are well used: the first one boldly imagines the Golden Willow by the River as a "bride in the sunset", turning the lifeless scenery into something alive, warm and pleasant; The second is that the clear pool water is suspected to be a "rainbow in the sky", but it has become a "rainbow-like dream" after being crushed by phytoplankton. Poets such as Zhuang Zhou Mengdie forgot everything about me in the madness of love, felt the "beautiful image in the waves/rippling in the heart", and were willing to be the grass swaying in the soft waves of He Kanghe River. This good structure of the unity of subject and object is not only a wonderful hand, but also a painstaking effort; In verses 5 and 6, the poet opens up a new artistic conception. Borrowing \ "dream/dream \", \ "full of starlight,/singing in the splendor of starlight \", \ "singing,/but I can't sing \" and \ "Summer insects are silent for me/silence is a Cambridge tonight \", the whole poem is pushed to a climax, just like a spring river. But his madness of falling on the greener grass and singing in the bright stars did not come true. At this time, silence and silence are better than many love words! . The poet seems to be caring for a lover's sleep, fearing that this dream will be damaged by the slightest bit, and the melody like a sigh is perfectly unified with parting. The second manifestation of the beauty of the picture is that the poet turned every picture into a dynamic picture through words with strong movements, such as \ "waving \" \ "rippling \" \ "swaying \" \ "smashing \" \ "wandering back \" \ "waving \", giving people a three-dimensional sense.

Architectural beauty is the symmetry of nodes and the neatness of sentences, which is actually the structural beauty of poetry.